- SONY SPECTRALAYERS PRO 1 MANUAL MANUAL
- SONY SPECTRALAYERS PRO 1 MANUAL LICENSE
- SONY SPECTRALAYERS PRO 1 MANUAL TV
This is possible thanks to the spectral approach of sound: if you extract frequencies from the mix and transfer them into a new subtractive layer, it will subtract these frequencies from the mix. In SpectraLayers, you also have subtractive layers, which allow you to remove sound from your mix. Most audio applications use additive tracks only, which is good for mixing various tracks together. The layer system allows you to refine your work extensively in a nondestructive way. You should also play with the multiplier and gamma settings to see the small peak details in the spectral view. Feel free to change the size on the fly as the accuracy of your work highly depends on it. That's called a window size, and a size of 2048/4096 should be good for most situations (with a file sampled at 44,100 Hz or 48,000 Hz). Spectral analysis has a resolution: you have to choose between time and frequency accuracy. Everything can be analyzed with this representation: music, voice, even noise. You can think of it like a musical score: the higher the peaks, the higher the tones the stronger the peaks, the stronger the tones. Spectral data represents sound in the frequency domain. This representation shows the global power of sound however it doesn't show what's inside the sound. In most audio applications, audio is displayed as a waveform that represents audio in the time domain (amplitude vs.
SONY SPECTRALAYERS PRO 1 MANUAL MANUAL
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SONY SPECTRALAYERS PRO 1 MANUAL LICENSE
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SONY SPECTRALAYERS PRO 1 MANUAL TV
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